"Evidence that Japanese animators are reaching for the moon, while most of their American counterpart remain stuck in the kiddie sandbox." Manohla Dargis, The New York Times

Inception v/s Pakrika

This is true of cinema across its entire length of existence—American filmmakers have materialized concepts and techniques developed by eastern genius and made it more commercial via the distribution and business monopoly of the capitalist system.

Monopoly has driven the human intellect into a doomsday race—Hollywood epitomizes this journey of mankind that leads to nowhere. Interdependent and symbiotic coexistence is the structure of life—breaking the code for individual gain only isolates one, disconnecting from the source of original creation.

We need the modernistic views of the west and the ancient wisdom of the east to work together to create the collective collaboration of souls that makes this planet into heaven—"Zion"—the land of Gods. A place where each individual being is given the opportunity to blossom into their highest and most pure form—thus becoming a pure channel to God's work.

Christopher Nolan is a genius, no doubt about that—and he has to set an example for the many in the world he has access through his influence—in showing grace and thanking the creative brilliance of Sathoshi Kon in "Paprika" that is the source of "Inception."

The irony and fallacy created by Hollywood to prove some sort of hollow supremacy over the rest of the world—by awarding their fellows in their own backyard—fellows who have obviously fallen into the rat race that leads to nowhere. Christopher Nolan was awarded the Academy Award for the Best Screenplay for "Inception."

I believe every film buff around the world that has supported Chris Nolan along the years must demand for him to acknowledge and give credit to Satoshi Kon, as well as, make it possible for eastern geniuses to thrive rather than choke these masters for a weird sense of short-term gain in this silly game of Monopoly. They have already destroyed European cinema—remember Goddard, Fellini, Truffaut, Eisenstein... We need them as much as we need American films, if not more...

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